Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Friday, April 30, 2010

The Road Not Taken

Someone today asked me “Why was the step not taken?” And, it reminded me of the Robert Frost poem about the "road not taken." We’ve all read this in high school, but I had to read it again this morning.

Keeping the broader context about life's paths in mind, it really moved me. I had to sit back and think about the paths I've taken that led me to where I am now. I have to wonder what other steps I did take and the ones I should've taken.

By the way, it's important to remember that Robert Frost was American, and this is an extremely American attitude - to pioneer, try something adventurous and know there would be rewards for the hard work.

Quotes are so often plucked from poems and tossed around in commencement speeches, greeting cards and mugs. Sometimes we have to go back to its origin, see it within its place in the poem.

The Road Not Taken -Robert Frost

TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Thursday, January 14, 2010

Manifesto: The Mad Farmer Liberation Front

Manifesto: The Mad Farmer Liberation Front
- Wendell Berry
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.

And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.

When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won't compute.
Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.

Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.

Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.

Listen to carrion -- put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.

Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.

As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn't go.

Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

Monday, April 23, 2007

Shakespeare's Day


William Shakespeare was born on April 23, 1564 and died on April 23, 1616.

We were reading "Romeo and Juliet" in 9th grade and Mrs. Ekholm brought in cupcakes to celebrate. To add a twist, she asked everyone to quote a line from Shakespeare in order to receive a cupcake.

Just about everyone went up and said, "O Romeo, Romeo! wherefore art thou Romeo?" or "But, soft! what light through yonder window breaks?" I had to be different and chose, "He jests at scars that never felt a wound." Mrs. Ekholm actually gripped my arm and froze. She loved it! This was said by Romeo when the guys were making fun of his lovesickness. Ironically, I often think of that line when people make comments or make light of someone else's situation.

Another favorite line of mine from Romeo and Juliet was "See, how she leans her cheek upon her hand!O, that I were a glove upon that hand,That I might touch that cheek!"

I always liked the following scene, more so after I saw the Leonardo Di Caprio and Claire Danes performance in Baz Luhrmann's film. The way it was depicted was beautiful, as they started with their palms touching to their first kiss. The language is so full of double meaning, it's pure desire.


ROMEO [To JULIET]
If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.

JULIET
Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.

ROMEO
Have not saints lips, and holy palmers too?

JULIET
Ay, pilgrim, lips that they must use in prayer.

ROMEO
O, then, dear saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.

JULIET
Saints do not move, though grant for prayers' sake.

ROMEO
Then move not, while my prayer's effect I take.
Thus from my lips, by yours, my sin is purged.

JULIET
Then have my lips the sin that they have took.

ROMEO
Sin from thy lips? O trespass sweetly urged!
Give me my sin again.

JULIET
You kiss by the book.

How hot is "give me my sin again"!?
Another powerful scene is the final death scene. Again, in the Baz Luhrmann version, as he dies and she awakens they see each other. Yet, it is too late. That makes it hurt even more.


JULIET:
What's here? a cup, closed in my true love's hand?
Poison, I see, hath been his timeless end:
O churl! drunk all, and left no friendly drop
To help me after? I will kiss thy lips;
Haply some poison yet doth hang on them,
To make die with a restorative.
Kisses him

Thy lips are warm.

First Watchman
[Within] Lead, boy: which way?

JULIET
Yea, noise? then I'll be brief. O happy dagger!
Snatching ROMEO's dagger

This is thy sheath;

Stabs herself.


I don't get entangled in the scholarly controversies of whether Shakespeare wrote his own work or not. I simply enjoy what the world has.

Saturday, February 17, 2007

Lost Clouds

Thanks to SirenSongs, I experienced this beautiful site, "50 Million Missing" photographs of Indian women and girls. This collection is a reminder of the beauty and diversity of the many faces of Indian women.

Sadly, the value of an Indian female has not improved where female infanticide and dowry deaths are still occurring. We hear about the tech boom, the educated classes and modern advances made in India, but when girls and women are still considered a burden, where will society end up? It is the "dehumanization" of women when they are valued with monetary measures. Here are some links to articles about this urgent issue: Missing: 50 Million Indian Girls and India's Missing Daughters.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

I had received this poem this morning in my inbox as my Poem of the Day and it seems appropriate for this mood.

A Cloud withdrew from the Sky (895)

A Cloud withdrew from the Sky
Superior Glory be
But that Cloud and its Auxiliaries
Are forever lost to me

Had I but further scanned
Had I secured the Glow
In an Hermetic Memory
It had availed me now.

Never to pass the Angel
With a glance and a Bow
Till I am firm in Heaven
Is my intention now.

Emily Dickinson

For my poetry-phobic friends, the poem speaks about a cloud that was missed, an opportunity to see "superior glory." The moment could have been saved and reused again.

We need to stop and save the images of the Indian women and girls lest they become clouds that fade away with the sun.

Thursday, January 18, 2007

Haikus in the Sky with Diamonds

After I got the taste of haikus, I started playing with some more words. I wrote these on the plane to CA last month, so you can see my inspirations. And, Henri Matisse's "Icarus" fits perfectly with the poem!


A mile-high sunset
scorches the horizon and
with a hint of green.




~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*




Had Icarus flown
at night, the stars would have bowed
and the moon cheered.

Sunday, October 22, 2006

Il Postino, Pablo and Poetry

I was listening to my one of my favorite CD's yesterday - the soundtrack to Il Postino.
I received it as a Christmas present years ago and it's absolutely a treasure.

The first part of the CD has Pablo Neruda's poetry read aloud by actors. First of all, I love literary readings performed by actors because they know how to bring life to the words. Julia Roberts reads "Poor Fellows" and you could feel how much the words resonate with her as a celebrity. When Andy Garcia reads "Tonight I Can Write," you just want to cry along with him. Ralph Fiennes, Sting and Ethan Hawke read other poems and well, you just want to be with them.

The other half of the CD is instrumental and to me, it all sounds the same. It's pretty much the same theme song performed by different instruments and given different titles on the CD cover.
Anyway, I can't believe I haven't talked about Neruda on my blog yet. I love his poetry and if I learned Spanish, it would be only to read the his work in the purest form -- his own language. There is such an unashamed sensuality and passion to his poems.


I have always loved and identified with the poem below. To me, it not language or admiration between two lovers, but my feelings toward my daughter, especially the bolded lines (bolding is mine).

I Love You As

I do not love you as if you were salt-rose, or topaz,

or the arrow of carnations the fire shoots off.

I love you as certain dark things are to be loved,

in secret, between the shadow and the soul.

I love you as the plant that never blooms

but carries in itself the light of hidden flowers;

thanks to your love a certain solid fragrance,

risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.

I love you straightforwardly, without complexities or pride;

so I love because I know no other way

than this: where I does not exist, nor you,

so close that your hand on my chest is my hand,

so close that your eyes close as I fall asleep.




Now, as a poet, I find this poem always strikes a crisp chord in me.

Poetry

And it was at that age ... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.


Here's one more that I had found and saved:

In my sky at Twilight

In my sky at twilight you are a cloud
and your form and colour ar
e the way I love them.
You are mine, mine, woman with sweet lips
and in your life my infinite dreams live.

The lamp of my soul dyes your feet.
My sour wine is sweeter on your lips,
oh reaper of my evening song.
how solitary dreams believe you to be mine!

You are mine, mine, I go shouting it to the afternoon's
wind, and the wind hauls on my widowed voice.
Huntress of the depths of my eyes, your plunder
stills your nocturnal regard as though it were water.

You are taken in the net of my music, my love,
and my nets of music are wide as the sky.
My soul is born on the shore of your eyes of mourning.
In your eyes of mourning the land of dreams begins.


Thursday, September 21, 2006

Edna St. Vincent Millay Poem

What Lips My Lips Have Kissed, And Where, And Why (Sonnet XLIII)
-Edna St. Vincent Millay

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.

Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.


~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
I never thought too much about Edna before, but I came across this poem yesterday on PoemHunter.com and thought it was beautiful and melancholic.
Photograph is The Kiss, Paris 2003 by Gavin Martin.

Sunday, September 10, 2006

Fall-ing

The Apple Tree
- Dorothy Parker
When first we saw the apple tree
The boughs were dark and straight,
But never grief to give had we,
Though Spring delayed so late.

When last I came away from there
The boughs were heavy hung,
But little grief had I to spare
For Summer, perished young.


*******************************************
I feel strongly about the last line this year. Summer slipped away so quickly. Living in the northeast, we feel the seasons. I always wondered what it'd be like to live in a place without drastic seasonal changes, like FL or AZ. I don't think I would miss the seasons. I thrive in the sunshine and warmth.

Fall, albeit beautiful in its colors, is very grim to me. We're finding beauty in its decay. The smells of autumn we cherish are only the fallen leaves mixing back to the earth. It's almost as if it's a last exciting show before the curtain falls. Then the theatrical crew cleans up and leaves the stage bare, revealing its harsh structures.

The weather today is in the 80's and there is still much green on the trees. Because we live in the northeast, we treasure our time with summer as long as she'll stay for us. While I love warm weather, I also love the vibrant greenery and lushness my state has to offer.

Thursday, July 13, 2006

Neruda, Love & Us..

XVII (I do not love you...)

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

Translated by Stephen Tapscott

~*~*~*~*~

I've always loved this poem in the context of my daughter - even before she was born. The last two lines came to mind the other day when I was reading a bedtime story. We're sitting on her bed, she's in my lap and we both have pj shorts. Her bare knees, my bare knees were touching. I wove my arms through hers and let my elbows angle into hers. I just felt my body and her body were so entwined. Ever since she was born, I had this weird sensation. If I'm holding her and I pat her on the back, I'm always surprised that I don't feel my hand through her body. I feel we're still part of each other.

Thursday, July 06, 2006

Alice Walker Poem

Because
you rubbed
my shoulder
last night
a poem
traveled down
my arm.

~*~

Living
this year
in
disaster:
How
is
it different?

~*~
No one
has
escaped
a blessing.

~*~

Every time
you
die
you live
differently.

~*~

You cannot
eat
money
and
if you could
it would
make
you
sick.

~*~

Removing
the
boulder
reveals
the
message
underneath.

~*~

Buddha
helps
us up
while
lying
down.
~*~*~*~~*~*~~*~*~*~~*~*~~*~*~*~~*~*~~*~*~*~~*~*~~*~*~*~~*~*~
I love Alice Walker's poetry for her simplicity and the beauty of her words and ideas. I have a few of her poetry books and they're like little treasures. The poem above is printed on multiple pages in her book "A Poem Traveled Down My Arm." So, it's as if there's a nugget of gold on each page - letting you marvel and relish the words and feelings.


Tuesday, June 20, 2006

Poetry: Margaret Atwood

Variation on the Word Sleep

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descent,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center. I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.


~*~*~*~*~*~~*~*~*~*~*~*~~*~*~*~*~*~*~~*
I liked this poem because of the playfulness of the words in the first paragraph, where the narrator moves from just being a spectator to being the participant, the Dreamer. There is an intimacy, but there's also a request for permission to dream. And the dream becomes an active process between the two (walking, leading).

The sentence is so powerful. It is as if the narrator had requested permission and now just wants to be there in any form - a necessary form.


I'm a fan of Margaret Atwood's and love her stories, novels and poetry. I don't know how she does it, but every word is carefully placed. I had listened to "Alias Grace" on audiotape and while it was so pleasant to the ear, I kept wishing I had the book in front of me because she's so poetic. (I was listening to her while driving to work, so book wasn't a logical option).

When I read "The Handmaid's Tale" years ago, I couldn't sleep at night because I felt the character's anxieties. I think fiction and dreams blended.

And, if that's not enough Atwood for you, here's more: Gertrude Talks Back giving a voice to Hamlet's mother.

Wow.


Tuesday, February 21, 2006

Poet Laureate Ted Kooser

I heard the Poet Laureate Ted Kooser on NPR the other day. I wish I could find that interview though, I found these clips of his interviews.

What stayed with me was his comment about the rewards of poetry. He said he had a poem in Atlantic Monthly magazine recently. It was a 5-line poem and he got $5 per line. A whopping $25.

So, he said because the financial gains aren't there, "poetry is more pure." It's written from true feelings with real intentions.

Actually, this makes much sense to me as I'm struggling with 2 poems. I'm writing them for anthology, which has requirements for theme. I can certainly write a poem on this theme, but I'm not feeling it. So, it's become very dry. Not at all fluid. I feel like the words are bricks that I'm laying on top of each other to form a tall structure. Conforms to the themes, but doesn't serve any purpose to me. A building that doesn't even shelter me.

Anyway, I like Ted Kooser and was fascinated by him during a tv interview. First of all, something about him reminded me of my grandfather, who always encouraged me to read and write. Maybe it was Kooser's round and kind face with prominent ears?

The other thing I liked about him was that he worked for an insurance company for years. He would rise at 5 am and write poetry. Then, proceed with his day.

I don't have any set time for my poetry writing. I tend to squeeze it in during the day. Our weekly production meeting is an excellent time for me to write. Else, if I'm waiting for an an application process to be finish, I'll pull out my notebook or open a Word doc.

It's encouraging to hear this from Kooser; he's an academic now, but that's what I keep worrying about. Must you be in academia to get published?

Enough of my fretting. Enjoy Kooser!

Tattoo

What once was meant to be a statement—
a dripping dagger held in the fist
of a shuddering heart—is now just a bruise
on a bony old shoulder, the spot
where vanity once punched him hard
and the ache lingered on. He looks like
someone you had to reckon with,
strong as a stallion, fast and ornery,
but on this chilly morning, as he walks
between the tables at a yard sale
with the sleeves of his tight black T-shirt
rolled up to show us who he was,
he is only another old man, picking up
broken tools and putting them back,
his heart gone soft and blue with stories.

from Delights & Shadows, Copper Canyon Press, Port Townsend, WA 2004


Flying at Night

Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.


Published in "Flying at Night

Monday, February 13, 2006

Quote on Love

Love takes off masks that we fear we cannot live without and know we cannot live within. - James Baldwin, author

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

This was on our corporate webboard today. It really drives home that love is about being honest, being the authentic self, and the acceptance of another person wholly.

I always believed that when people are dating, they're eagar to keep a certain face, say the right things, be a bit careful with the other person. Once the couple decides to commit into marriage, then it becomes real. All the skeletons spill out of the closet: the credit card bills tumble first, the family members that were hid in the corner are now taking center stage. It's as they say on the "Real World", "people stop being polite, and start getting real."

So, you could be dating for 2 years or 2 months, it's only when you commit do you become real.

By the way, speaking of love, here's another cliche for you. Unconditional Love of a Child. Wait - don't click "Next Blog" so soon. I can't believe it is true.

Annika is horrible eater and tends to dawdle and chat incessantly through dinner. It's very frustrating that it takes an hour to eat. Then, while goofing around, the dinner spills over on the floor. Now, I lose it. I get mad and send her upstairs and she starts crying. I feel bad about all this. When I come upstairs and tell her it's time to read a book, she finds her book and climbs into my lap. I apologize and ask her if she understands what happened. She does and reiterates it to me. Then, we read our book and it's a wonderful bed time.

So, that is unconditional. No matter what you do or say, she loves me so much. Un-condition-al-ly. Without condition. Without a reason.

Mind you - lest you walk away thinking we're all happy and kissing all the time, she has slammed the door on me, yelled at me for being a bad mom, etc. So, she can get mad at me. But, then we come back together.

Sunday, January 29, 2006

Quotes on Love


We don't love qualities, we love persons; sometimes by reasons of their defects as well as of their qualities.
- Jacques Maritain

*~*~*~*~*~*~*~*~**~*~

Spontaneous and honest love admits errors, hesitations, and human failings; it can be tested and repaired.
- Nancy Friday

*~*~*~*~*~*~*~*~**~*~







Whoso loves
Believes the impossible.
- Elizabeth Barrett Browning


*~*~*~*~*~*~*~*~**~*~

Love me like a lovely dream...
- Flavien Ranaivo

Morsels of Poetry: At Least


At Least - Raymond Carver
I want to get up early on more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys

of the other houses.
I want to see the waves break

on this rocky beach, not just hear them

break as I did all night in my sleep.

I want to see again the ships

that pass through the Strait from every

seafaring country in the world...

I want to spend the day watching this happen

and reach my own conclusions.
I hate to seem greedy -- I have so much

to be thankful for already.

But I want to get up early one more morning at least.
And go to my place with some coffee and wait.

Just wait, to see what's going to happen.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This poem speaks to me in so many ways. I love to wake up early to seek my quiet time; ironically I also like to stay awake late because it gives me a chance not to be alone.

Two years ago, we went beach-camping with friends in Massachussetts. We put the kids to bed in the tents and walked along the shore. We grabbed our wine glasses and sat in the moonlight to talk. It was July 4th weekend, so we looked for stray fireworks and enjoyed the silence that comes afterwards.

Anyway, I woke up at 5 a.m. I slept on top of rock (though I'm no princess, this was no pea!) Also, the sunlight shot through our tent. I felt like the elements were pulling me to get up.

I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.

I love to walk along any beach. This one was different, as there was a walking path along the campgrounds. And, I passed all the campers, silent with sleep. I was fascinated by the campsites and how people added their own little homelike touches (e.g., windchimes). This was a different experience than walking on an island beach. This was definitely inhabited, but the inhabitants were still in their trees.

when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.

I still remember the beauty of that morning - the sun, the chill in the air, the stiffness of my body releasing itself.

While I enjoy being with my friends and family, I desperately seek my space to reflect and be me. And, sometimes I do feel selfish for wanting this. It's also a cultural anamoly for Indians - they don't understand the concept of wanting to be alone, have privacy. Fortunately, those who know me, do understand eventually.

But then, am I asking for so much?

I hate to seem greedy -- I have so much
to be thankful for already.
But I want to get up early one more morning at least.
And go to my place with some coffee and wait.
Just wait, to see what's going to happen.




Thursday, January 19, 2006

Morsels of Poetry: Life, Love, Books and Metaphors

Found these on Poemhunter.com

Between The Covers
C.J. Heck
Gentle man, you hold me
like a treasured book
as if memorizing every line.

In your hands,
I feel new meaning
breathed into my pages.

Seductive bookworm,
no one has ever read me
quite like you, nor ever will again.

Passionate reader,
I love how you bookmark
your favorite chapter
between the covers at night...

Open Book
- M. Rose Davis
You say you know me
I’m an open book
You read each word
but have you really looked.

Hidden in the lines
Across my pages
Are my deepest secrets
They’ve been there for ages

Read my words
For I am there
But if you can’t find me
Do not despair.


(This one is sad)

The Book of Your Life
- J.A. SpahrSummers
And so I gently close this book
The adventures of your life intact
Africa Europe Hong Kong Brazil
There and back again and again
Never quite willing to give it up
Breathing a crushing sigh of relief
As I feel for your pulse my eyes
Glued to your bare chest and
Blessing the lack of movement
Mother watching fearfully from
Down the hall her hands cover
Her mouth lamenting the need
For such pain and this moment

Monday, October 10, 2005

Morsels of Poetry:
Chitra Banerjee Divakaruni

The Garba
The nine sacred nights of Navaratri

we dance the Garba. Light glances off
the smooth wood floor of the gym
festooned with mango leaves
flown in from Florida. The drummers
have begun, and the old women
singing of Krishna and the milkmaids,
Their high keening is an electric net
pulling us in, girls who have never seen

the old land. This October night
we have shed our jeans
for long red skirts, pulled back
permed hair in plaits, stripped of
nailpolish and mascara, and pressed
henna onto hands, kohl
under the eyes. Our hips
move like water to the drums.
Thin as hibiscus petals, our skirts
swirl up as we swing and turn.
We ignore the men,

creaseless in bone-white kurtas.
In the bleachers, they smile behind their hands.
Whisper. Our anklets
shine in the black light from their eyes.
Soon they will join is in the Dandia dance.
The curve and incline, the slow arc of the
painted sticks meeting red on black
above our upraised arms. But for now the
women dance alone
a string of red anemones
flung forward and back
by an unseen tide. The old ones sing
of the ten-armed goddess.
The drums pound faster
in our belly. Our feet glide
on smooth wood, our arms are darts of
light, Hair, silver-braided,
lashes the air like lightning.
The swirling is a red wind
around our thighs. Dance-sweat
burns sweet on our lips.
We clap hot palms like thunder. And
the mango branches grow into trees.

Under our flashing feet, the floor is packed black soil.
Damp faces gleam and flicker in torchlight.
The smell of harvest hay
is thick and narcotic in our throat. We spin and spin
back to the villages of our mothers’ mothers.
We leave behind

the men, a white blur
like moonlight on empty bajra fields
seen from a speeding train.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

I heard Chitra read this at the Asian American Writers Workshop in 1996 or 1997. This is from her book "Black Candle" and it moved me so much. I love Navratri and as an Indian-American, I felt Chitra had captured the holiday and what it means to us. We may dance on the hard gym floors and not on the Indian earth, but our dance connects us to a long line of women. I always felt sorry for my American classmates and friends who did not have Navratri.

For us, we would pull out the suitcases that stored our chanya-cholis for the year. On some special occasions - after a trip to India - we would have new spin-worthy ghagras and we finally wear the new Indian jewelry. My sister, mother and I would trade bangles and bindis trying to get the perfect match. Oh, and I remember the year I wore rings. My hands were so swollen after a night of garba they would not come off! I had to soak them in cool water to pry them.

It's not about just a dance, but keeping connections and traditions alive.

Wednesday, September 28, 2005

Morsels of Poetry:
Khalil Gibran
- From The Prophet "on Marriage"

Love one another, but make not a bond of love.
Let it rather be a moving sea between the shores of your souls.
Fill each other's cup but drink not from one cup.

Give one another of your bread but eat not from the same loaf.
Sing and dance together and be joyous, but let each of you be alone,
Even as the strings of a lute are alone though they quiver with the same music.
Give your hearts, but not into each other's keeping.

For only the hand of Life can contain your hearts.
And stand together, yet not too near together.

For the pillars of the temple stand apart,
And the oak tree and the cypress grow not in each other's shadow.


- From The Prophet "on Children"
Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you, yet they belong not to you.
You may give them your love but not your thoughts.
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.

You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.

You are the bows from which your children as living arrows are sent forth.
The archer sees the mark upon the path of the infinite, and

He bends you with His might that His arrows may go swift and far. Let your bending in the archer's hand be for gladness;
For even as He loves the arrow that flies, so He loves also the bow that is stable.